ART HISTORY FACULTY
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& Staff Web Pages |
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Jennifer
Ball , Ph.D., Institute of Fine Arts, New York University, teaches Byzantine, Medieval,
and Islamic art. Her most recent book is Byzantine Dress: Representations of Secular Dress in Eighth- to Twelfth-century
Painting (Palgrave 2005). She was a contributor to Byzantium: Faith and Power, is a frequent lecturer at the
Metropolitan Museum of Art and has published on liturgical textiles and Byzantine-Islamic visual culture. |
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Jack
Flam, Ph.D., New York University, Distinguished Professor of Art History, has written
extensively on 19th and 20th century European and American art, including volumes on Matisse, Picasso, and Primitivism,
as well as contemporary artists. He has received a Guggenheim Fellowship, a National Endowment for the Humanities Senior
Scholars Fellowship, and the College Art Associations Charles Rufus Morey Award for distinguished scholarship. His
recent books include Matisse and Picasso: The Story of their Rivalry and Friendship (2003); Manet: Un bar aux
Folies - Bergère ou l'abysse du miroir (2005); and Matisse in Transition: Around Laurette (2006). He has
published in Apollo, Art Bulletin, Artforum, Art in America and Art Journal among other journals.
From 1984 to 1993 he was the art critic for The Wall Street Journal.
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Mona Hadler, Ph.D., Columbia, teaches courses on
modern and contemporary art and theory. She has published widely on Abstract Expressionism and the art of the
sixties, including a recent catalogue essay on Lee Bontecou for an exhibition which traveled to the Museum of
Modern Art in New York. She has co-edited an issue of the Art Journal on abstract expressionist sculpture, chaired
College Art Association sessions on Mass Culture before Pop and Art in the Nuclear Age, and written frequently on
the relationship between Jazz and modern art.
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Rachel Kousser, holds a Ph.D. from the Institute of Fine Arts,
New York University, and is a specialist in Greek and Roman art history. She has recently received fellowships from
the Mellon Foundation, the German Archaeological Institute, and the PSC-CUNY Research Foundation, and is completing
a book entitled "Hellenistic and Roman ideal sculpture: The allure of the Classical"; she is also beginning a new
project on iconoclasm in the ancient world. Her publications have focused on such topics as the Venus de Milo, Roman
representations of war, and the visual rhetoric of imperialism. |
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Michael Mallory, Ph.D., Columbia, is Chairperson of
the Art Department and a specialist in early Italian renaissance art. He has published a book on the painter Paolo
di Giovanni Fei. His internationally published articles arguing a change in the attribution of a famous mural in
Italy have caused ongoing debate in the art-history world. |
STUDIO ART FACULTY |
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Vito Acconci, MFA University of Iowa, is a Bronx, New York-born, Brooklyn-based architect, landscape architect, and installation artist.
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Janet
Carlile, MFA Pratt, and member of the Printmaking Workshop is an artist whose subjects
are the landscapes of the American West. Carlile is the recipient of a Pollock/Krasner Grant, and two Colorado
Council of the Arts Grants. She is represented in various museums and collections including the Brooklyn Musesum,
the Hirschorn Collection at the Smithsonian and Notah Dineh Trading Post in Cortez, Colorado. She is Director of
the Red Mountain Gallery in Ouray, Colorado and founder and editor of the Art
In Ouray Virtual Gallery.
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Georgeen
Comerford, M.F.A., Brooklyn College, is a photographer whose
work has appeared in The New York Times and New York
magazine, as well as magazines in Italy, Germany, and Canada.
She has exhibited her work both nationally and abroad. |
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Patricia
Cronin, M.F.A. Brooklyn College, is a painter and sculptor whose work is exhibited
internationally, including: the Brooklyn Museum, Yale University Art Gallery, David Zwirner Gallery,
Brent Sikkema, Deitch Projects, and Alessandra Bonomo. She is a two time receipient of the Pollock-Krasner
Foundation Grant and is the winner of the Rome Prize for 2006-7. She is represented by Deitch Projects,
New York and Alessandra Bonomo Gallery, Rome. |
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Karin
F. Giusti, M.F.A., Yale, is a widely-exhibited sculptor whose most recent installation Our House traveled
throughout the United States, including to such venues as White Box in New York City. She has shown her work
internationally and is the recipient of numerous awards including a Guggenheim Fellowship, a Pollock Krasner
Award, as well as a New York Foundation for the Arts grant. |
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Ronaldo
Kiel, M.F.A., Brooklyn College, Associate Professor of digital art, has exhibited at the Prix Ars Electronica in Austria
and the International Media Art Biennale in Poland in addition to Canada, Italy, Paraguay, Ukraine and throughout the
U.S. Last year Kiel presented a video installation at "Virtual Bodies" curated by Ivana Bentes in Rio de Janeiro, and
participated in the public installation "Novel Lift" at Brooklyn Central Library, among other exhibitions. He has
received numerous fellowships including New York Foundation for the Arts (2003) and a Rockefeller Foundation Residency
with Anita Cheng (2006).
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Jennifer
McCoy, M.F.A., Rennselaer, is a media artist who, with Kevin McCoy, has exhibited nationally and
internationally. They are represented by Postmasters Gallery in New York and have work in prominent collections
including The Metropolitan Museum of Art and The Museum of Modern Art in New York, and the Milwaukee Art Museum.
The McCoys are recipients of the 2002 Creative Capital grant for Emerging Fields. |
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Archie
Rand is a Presidential Professor of Art, is a painter whose work is
exhibited nationally and internationally, including: the Metropolitan Museum of Art, the
Whitney, MoMa, the Bibiliotheque Nationale in Paris, the Israel Museum in Jerusalem and
the Victoria and Albert Museum in London. |
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Douglas Schwab, M.F.A., Brooklyn College. |
ADJUNCT ART HISTORY FACULTY |
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Gerard Haggerty, M.F.A. UC Santa Barbara, has published widely
and writes for ARTnews. He has lectured extensively on a variety of subjects at Yale University, American University,
LA County Museum of Art, Parsons School of Design and other institutions. His own art is included in the Chrysler
Museum, The Portland Art Museum, among others and in private collections such as Michael Douglas, Kirk Douglas, Jack
Nicholsons, and Catherine Zeta-Jones. His is a recipient of multiple grants from the National Endowment for the Arts,
National Endowment for the Humanities and the Ford Foundation. |
ADJUNCT STUDIO ART FACULTY |
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Arnold Brooks, M.F.A. University of South Florida, Graphicstudio
Institute for Research in Art, is a painter and printmaker. Recently, he received a research grant from New School
University on experimental intaglio and lithography. His current work explores the inner relationships of sound, video
and printmaking. He recently participated in "TekniskUheld", an international sound art exhibition in Copenhagen,
Denmark. |
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David Lantow, M.F.A Brooklyn College, is a painter and
printmaker who also worked as a fine art lithographer and print collaborator. Lantow recently exhibited his prints in the
Dialogue Exhibits, a survey of contemporary French and American printmakers. His prints are in several collections
including, the Banff Museum Library, the Brooklyn Museum of Art, the Museum of Modern Art, and the New York Public
Library. He is also a recipient of a residency award at the Ragdale Foundation. |
ART DEPARTMENT SECRETARY |
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Xinia Ennis |
MFA Program Coordinator |
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Kathleen Smith, B.A. Brooklyn College,Elementary Education and Sociology. Kathleen worked for a financial advertising/public relations agency for 8 years after graduation. For the past 19 years, she has worked in the mental health field as an intake coordinator. |
SCULPTURE TECHNICIAN |
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Stephen
Keltner, M.F.A., Pratt, is a sculptor who has been artist-in-residence for
the states of New York and Virginia and, in addition, was a National Endowment for the Arts recipient. He
is president of the Sculptors Guild. His works are minimal images fabricated in metal derived from programmed
permutations employing the phenomenon of perception. |
VISUAL RESOURCES CURATOR |
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Stephen
Margolies, M.A., New York University, directs the Department's
art library and slide collection. His awards include Fulbright and
French Government Scholarships. His background is in literature.
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PHOTO TECHNICIAN |
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Ed Coppola, M.F.A. Brooklyn College. Works by Mr. Coppola, a photographer and sculptor, have been included in curated and solo exhibitions across the U.S., including the Center for
Photography at Woodstock, NY; Photographic Center Northwest in Seattle; the
Rotunda Gallery and the Williamsburg Art and Historical Center, both in
Brooklyn; the CEPA Gallery in Buffalo, NY; Fairleigh Dickinson University,
NJ; and St. Mark's Church In-the-Bowery, NYC. |
DIGITAL TECHNICIAN |
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Paul Shpuntoff, Paul provides support for the department's digital labs. |
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