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PAN came out of the woods one day,— |
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His skin and his hair and his eyes were gray, |
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The gray of the moss of walls were they,— |
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And stood in the sun and looked his fill |
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At wooded valley and wooded hill. |
5 |
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He stood in the zephyr, pipes in hand, |
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On a height of naked pasture land; |
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In all the country he did command |
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He saw no smoke and he saw no roof. |
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That was well! and he stamped a hoof. |
10 |
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His heart knew peace, for none came here |
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To this lean feeding save once a year |
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Someone to salt the half-wild steer, |
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Or homespun children with clicking pails |
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Who see no little they tell no tales. |
15 |
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He tossed his pipes, too hard to teach |
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A new-world song, far out of reach, |
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For a sylvan sign that the blue jay’s screech |
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And the whimper of hawks beside the sun |
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Were music enough for him, for one. |
20 |
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Times were changed from what they were: |
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Such pipes kept less of power to stir |
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The fruited bough of the juniper |
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And the fragile bluets clustered there |
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Than the merest aimless breath of air. |
25 |
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They were pipes of pagan mirth, |
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And the world had found new terms of worth. |
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He laid him down on the sun-burned earth |
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And ravelled a flower and looked away— |
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Play? Play?—What should he play? |
30
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North of Boston. 1914. |
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1.
The Pasture |
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I’M going out to clean the pasture
spring; |
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I’ll only stop to rake the leaves away |
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(And wait to watch the water clear, I may): |
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I sha’n’t be gone long.—You come too. |
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I’m going out to fetch the little calf |
5 |
That’s standing by the mother. It’s so young, |
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It totters when she licks it with her tongue. |
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I sha’n’t be gone long.—You come too. |
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