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BRIDGING
THE GAP PART II: HOW DO WE PREPARE FOR THE REALITIES OF CLASSROOM
TEACHING? |
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Articles
by
Carolina
Mancuso
David Fuys
Program
Updates
Lincoln Center Institute
Building Bridges
Brooklyn String Project
Council for Exceptional Children
Early Childhood Center
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Greetings
from the Dean
Deborah
Shanley
Dean, School of Education
As a vibrant and innovative school of education, we benefit from any
opportunity for discussion of the various theories and experiences
that underpin our approach to teacher preparation; they comprise the
worldview from which we teach, and are as diverse as the cultures
represented in our school and community. "Bridging the
gap" between theory and practice is a concept that unites these
varied views into a single, focused question: How do we prepare
teachers to teach in a real-world classroom? Whether articulated or
implied, each educator has his or her own unique method of
synthesizing theory and practice and incorporating both into the
teaching environment. In this issue, Carolina Mancuso articulates
the social context of childhood and secondary education as well as
the necessity for transparency and improvisation as teaching tools.
David Fuys takes a how-to approach to teaching a concept in
elementary mathematics that uses children’s everyday experience as
a bridge to understanding a mathematical operation.
We will continue to
highlight contributions on this subject in future issues and look
forward to hearing from many more different points of view.
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Teacher
Growing Pains:
Mending the Theory-Practice Rift
Carolina Mancuso
assistant professor, literacy program |
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We
live in a culture where schooling has historically been biased in
favor of the cognitive, where knowing and not-knowing create social
distinctions no less palpable than having and not-having—indeed,
where knowledge is often equated with wealth.
Despite supporting scholarship, the notion of honoring the
unity of mind, body, and spirit in the classroom remains far removed
from the conversation that recurrently dominates the field of
education. In a
learning environment focused on standardized test scores, many
equate the mastery of discrete facts with wisdom, profound thought
and accelerated growth. Electronic sound bytes and parading images line the path to
social, economic, and political power, with the myth of
instantaneous success so touted in the media that students who learn
at a pace or in a style different from the norm are often considered
lacking in potential.
But
learning and growing are far more complex, a fact we perhaps conceal
by relegating so much of education to the realm of intellect. I
question how complicit we educators may be in perpetuating this
view. Surely,
society’s image of the teacher, linked as it is with technical
rationality, helps sustain it. In emphasizing the parts over the
whole, however, unfortunate dilemmas have arisen, among them the
dichotomy between theory and practice in teacher preparation.
In
the past year, my first at Brooklyn College, I heard echoed from
graduate students in both the literacy and secondary-education
programs the familiar assertion that too many courses are overloaded
with theory. In my
classes, I vowed to continue my attempts at unifying theory and
practice, eventually deciding to adapt an assignment I had used
elsewhere with positive results: having students create lessons for
demonstration in class. The discussions following those model
lessons had always been rich but rarely went beyond a cursory nod to
theory. This time, I
determined to extend the assignment in hope of bringing theory
closer to center stage.
In
one course, Topics in Literacy Education, students collaboratively
constructed a lesson plan for a common grade level in their group.
As they chose materials and strategies to employ in the
lesson, I visited each group to help them brainstorm the various
threads of theory supporting those practices.
Over several weeks, groups worked together for some of each
class, developing the lesson and exploring the aspects of theory
they had each chosen to research in a formal paper.
Following the interactive presentation of their lesson, they
submitted a draft of that paper, which would be revised at the end
of term. At midterm,
each group demonstrated their model lesson, distributing to the
whole class a copy of the lesson plan and an abstract describing
each person’s investigation of theory.
The
groups received verbal and written feedback about the lesson from me
and from the class. The
following week, the groups revised their midterm drafts and handed
them in for my written response, according to the rubric used for
the assignment. In the
last few weeks, they regrouped to consider revisions to the lesson,
to share changes they had made in revising their papers, and to
update the abstracts. For
both the midterm draft and the final paper, they wrote in class a
reflection on the process of their researching and writing.
The final lesson plans and abstracts were then bound into a
class publication which provided each student with a copy of the
lesson plans along with information about theoretical connections.
The
other course, Teaching Writing Across the Curriculum, had a separate
midterm paper and a shorter class time, so the assignment became a
one-time final project with an individual lesson plan.
Students shared their lesson plans rather than demonstrate
them, and in place of a long formal paper, they attached brief
discussions of theories linked to the practices.
They, too, wrote reflectively on the process and created a
class publication. In
both classes, students appreciated creating and demonstrating or
sharing the lessons; experiencing team-teaching (where applicable),
receiving feedback from their peers and from me, and even more,
taking with them a copy of everyone’s work for reference and use
in their own teaching.
When
I initially presented the assignment, there had been strong
resistance to the theory component.
Early on, in the class where students collaborated in groups,
some asked why I had not required them to select one theory and have
each group member create a separate lesson from that theory, instead
of the reverse. This
led to a lively discussion in which they expressed their views about
the heavy load of theory in education courses, and I revealed my use
of theory in constructing the assignment and in other practices. As they worked, however, many were surprised by the
discoveries they made in researching and articulating
theory-practice connections; they also recognized how choosing the
practices and then examining the theories could reveal greater
complexity in the interrelationship.
By and large, they found the interaction between theory and
their own practices quite compelling and worthy of exploration,
which led some to re-envision the role of theory in the context of
their everyday teaching lives.
Their writing also revealed insights gained about their own
writing, learning, and teaching processes, suggesting that links to
theory had enhanced that as well.
At
the end of the semester many students rated the theory-practice
project very highly in their written course evaluations.
Though still very recent, my observations of these classes
have already reinforced certain beliefs embedded in the three
possibilities I raised above. First,
students raised questions about my choices in constructing the
assignment, extending them also to other practices and to the
objectives of the course and program.
Second, my responses to their questions led them to suggest
changes in the assignment that increased their engagement.
Finally, the presentations; assessments from peers and from
me, and reflective writings on their papers, accommodated some of
their expressed needs regarding the balance of practice and theory.
Further reflection led to understanding how important it was
for students to bring their lessons into the classroom and how
invested they eventually became as they intentionally linked theory
with their own practices and engaged in each other’s work.
As
a teacher educator concerned with teaching to—and from—the whole
person, I try to help students realize that they already function
both theoretically and practically, a fact made visible in their
everyday lives through the natural flow of being and doing.
I want them to recognize in their learning and teaching
experiences the multifaceted improvisations necessary for deep
understandings.
If
we acknowledge the inevitable "transparency" of both
teachers and students in the laboratory of the classroom, we can, if
both sides are willing, create together a context for mutual growth.
Three possibilities for implementing this growth spring to
mind: First, perhaps
the most obvious, teacher educators can disclose decisions that
inform their own practice; second, they can elicit questions,
concerns, and contributions from students relating to the objectives
of the course and the program as a whole, possibly generating
aspects of negotiated curriculum, and third, they can encourage
metacognitive exercises, among them reflective writing, in which
students record observations and experiences from their own learning
and from lessons in the education class for discussion and
assessment with the class as a whole.
This
underscores the need for students in this profession to be
acknowledged as part of the culture of teacher and education
classroom—as colleagues in the field rather than just students.
Perhaps the theory-practice fault line remains in place
because we have not taken that seriously enough.
I believe that such professional validation sparks
recognition of their roles as agents of change in their classrooms,
schools, and communities. Further,
as both they and I consciously engaged in parallel tasks and shared
reflective practices, we did indeed grow together, with the human
face of teaching and learning manifest on both sides.
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Where
do great teaching ideas come from?
David Fuys, professor
and program head, elementary mathematics education
For me, ideas for bridging the gap between theory and
practice usually come from classroom techniques that I've pieced
together over time. I try something, and it either works or it
doesn't, I then rework the approach in a slightly different way, try
it again, and it eventually becomes part of my teaching
“palette.” When I began teaching Education 58.3, the math
methods course for elementary teachers, some twenty-five years ago,
I took 35-mm slides of my students engaged in math activities in
their public school classrooms.
As a visual learner,
I
used the slides to record how my students were applying ideas from
their coursework to their work with children.
I also showed the slides in class to share their fieldwork. After a few years, I organized my slides by themes: How can we
use attribute materials (colored shapes that teach logical
reasoning) with children? How can we teach length in the metric
system? How do we conduct assessment of young children on counting
and numbers? Students enjoyed these slide shows, which generated
discussion about how they, too, could adapt and implement such
activities.
Five years ago, I decided to use prints instead of
slides to capture mathematics teaching-learning in the field.
I made an extra set for my students. Combined with lesson
plans and samples of their students’ work, the pictures, along
with commentary ON what they have done in the classroom, could
become the basis of a rich portfolio to take with them on
interviews. After using
my copies of the photographs to create a portfolio of my students’
fieldwork for a couple of semesters, I arranged the photos by
topic, added captions to highlight the act of teaching a particular
topic, and stored them in color-coded folders.
The folders are displayed in class when certain topics are
taught, presenting students with a visual image and reflective
comments about classroom practice. In math, you can't just read
about or talk about what you do in the classroom--you need to see
it. The folders show student teachers engaged in the art of teaching
by using hands-on activities that stimulated discussion about
mathematics. They showed concrete math activities that enable
children to connect action and language with symbols, thereby
constructing meaning for mathematics.
With the portfolios, students get a tangible feel of what
went on in the lesson.
For next term, I hope to place these portfolios in
learning areas outside the classroom and have my students compare
how different grade levels teach the same math concepts, such as
teaching word problems in conjunction with children's literature.
With a digital camera, we could place the photos and captions on a
web site and use them as a storyboard. My colleagues and I could
then project them in the classroom and have a "show and
tell" of how various math activities can be taught.
Students could access them from home and discuss them using a
chat room on Blackboard.
Whatever technology you use, initiatives like this
bridge the divide between the classroom and the field. My students
can take what we have discussed in class out to their classrooms
where they are student teaching and then, through photography, bring
it back to Brooklyn College. They can interact with the material and
concretize what we are discussing in class. It's an exciting way to
bring the field into our classroom.
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Program
Updates
Lincoln
Center Institute Summer Sessions
Bridging
the Gap between pedagogy and practice was the subject of a day-long
seminar lead by Hilary Easton with guest educator Claudine Jellison
in July. As part of the Lincoln Center Institutes summer program for
educators, the session presented an interactive study of ways to
implement esthetic education ideas and techniques into classroom
practice. The Institute’s Summer Sessions off School of Education
faculty an in-depth exploration of the role of the arts in teacher
preparation in day-long or week-long workshops using experiential
study of dance, music, theater, visual arts and architecture.
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Martin
Brokenleg is Keynote Speaker at Building Bridges Conference
Martin
Brokenleg, professor of Native American studies at Augustana
College, Sioux Falls, SD, and dean of the Black Hills Seminars,
presented the keynote address, “The Circle of Courage, a series of
concrete strategies for raising respectful and courageous children
in a nonpunitive environment” (National Education Service, 1990)
to a full house of City University of New York educators at the
fourth annual Building Bridges Conference at Brooklyn College in
May.
The
conference is sponsored by the Freshman Year College, Brooklyn
College, and the CUNY College Now program.
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The
Brooklyn College String Project: Music Education Takes a Bow
Jane
Palmquist,
professor
and coordinator of music education
The
Brooklyn College String Project presented an exciting and varied
program featuring Brooklyn schoolchildren from more than forty
public and private schools who are studying stringed instruments
with students in the Conservatory of Music. The spring program, held
in May at the Brooklyn Center for the Performing Arts at Brooklyn
College, presented performances by beginning and intermediate
students and concluded with performances by the teachers’
ensemble. Part of a nationwide consortium of twenty-six programs
providing low-cost stringed instrument instruction to schoolchildren
ages 5 to 18, the Brooklyn College String Project also provides paid
teaching experience to college music majors,.
The
project will offer beginner violin, viola, ‘cello, and string bass
classes in Fall, 2002. Students and teachers are invited to suggest
music from their cultural heritage for inclusion in future programs.
For more information on registering for the Fall String Project,
please contact Jane Palmquist at 951-5136 or JaneP@brooklyn.cuny.edu.
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Council
for Exceptional Children Meets in New York
The
annual meeting of the Council for Exceptional Children (CEC) opened
on a poignant note in New York City in April as the victims of
September 11 were honored with a musical tribute by the New York
City Police Department Emerald Society Pipe and Drums. Special
education students Davonna Brown and Ajuwon Harewood from D75 served
as honor guard. The Local Arrangements Committee, headquartered at
Brooklyn College and served by volunteers from various CUNY and New
York City public schools, was chaired by Dean Deborah Shanley.
Assistant Dean Kathleen McSorley, Pauline Bynoe, assistant
professor, and Gloria Frank, administrative assistant were
also on the team. The conference, which attracted 6,000 participants
to New York City, provided the venue and opportunity for educators
in all aspects of special education to share knowledge and expertise
in an exciting, diverse environment. The CEC is a professional
organization dedicated to promoting good practice among special
education professionals and advocating for education on behalf of
individuals with special needs.
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Multi-Media
Learning to Enhance Early Childhood Program
Carol Korn, associate professor and
faculty director, Carleton Washburne Early Childhood Center
A
program developed with funding secured by Dean Shanley and Scott
Yates, information technology, through the School of Education’s
Booting up Brooklyn Initiative, will soon integrate streaming video,
distance learning, and video-conferencing into the learning
environment at the Early Childhood Center’s preschool classrooms
and infant/toddler rooms. Carol Korn, Brooklyn College, and
Professor Dolores Lowe Friedman, Kingsborough Community College, are
collaborating to develop instructional materials for the new
technology aimed at providing enhanced instruction for faculty and
students from both Brooklyn College and Kingsborough, as well as a
base for further development efforts in the area of early care and
education.
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